What’s Available Right Now

Studio businessLogan, UtahTue Sep 1, 2026

What’s Available Right Now

The kiln's been opened, the shelves cleared, and the latest work is up. Here's what's in this batch.

Three tall glazed cups with amber, brown and white runs, the middle one in focus
Small cups from a recent firing. Every piece in a release has to earn its spot.
The short version

This release comes from the last cone 10 firing: mugs, a handful of bowls and a few vases. Nothing experimental, nothing rushed. Balanced mugs with comfortable handles, tapered rims, clean foot rings and fully matured surfaces, built for daily use.

  • Only work that feels resolved makes it to the shelf. Some pieces get edited out, some stay as tests
  • No rocking bases, no heavy bottoms, no unfinished rims
  • Dishwasher safe and fully matured at high fire

Fresh out of the kiln

The kiln's been opened. Shelves cleared. The dust has settled. What's available right now is the result of that last firing: cone 10, steady climb, no shortcuts. Mugs, a handful of bowls, a few vases. Nothing experimental. Nothing rushed. Just forms that held up.

I don't release everything I fire. If you've been following along, you already know that. Some pieces get edited out. Some stay as tests. What makes it to the shelf, and eventually to the site, is what feels resolved.

Close view of a pale plate with a green spiral at its center
A plate with a spiral at its center.
A pale mug with a dark handle and green rim on a white background
A mug with a dark handle.

What this batch leans into

This batch leans into the fundamentals. Mugs with balanced weight and comfortable handles. Rims that taper slightly so they don't feel blunt. Foot rings trimmed clean and quiet so each piece lifts a little off the table. Surfaces that matured fully in the kiln, with iron tones deepened and glazes settled without distraction.

At cone 10, things tighten up. Clay vitrifies and glaze fit matters. The pieces in this release made it through that heat without compromise: no rocking bases, no heavy bottoms, no rims that feel unfinished. That's the baseline.

Unglazed bisqueware pitcher, cups and bowls clustered together in the studio
Bisqued pitchers and cups, waiting for glaze before the next firing.

A steady group

There's a steadiness to this group. Nothing flashy. Earth tones, and depth in the surface where heat did its work. Pieces meant for everyday use: morning coffee, weeknight dinners, water at the sink.

If you've been waiting for something specific, this is a good time to look.

A vase with orange and white vertical stripes on a white background
A striped vase.
A pale gray pitcher with a soft speckled surface on a white background
A pale pitcher.

Why releases stay small

I keep releases small on purpose. It lets me stay close to the work and keeps the standard clear. It also means what's available reflects where the studio actually is right now, not where I was six months ago.

Everything listed is built for daily use. Dishwasher safe. Fully matured at high fire. Made to be handled, not displayed. Small batch, cone 10, built to last.

A Simple Tip

If a piece you like is listed, don't wait for the next release to see it again. Small batches mean most forms and surfaces don't repeat exactly, and that's part of what makes each one yours.

The latest pieces are live now. Thanks for following the studio and for giving these pots a home.

See what is in the shop at Adam Corbridge PotteryAdam Corbridge
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