The kiln build · Follow along

Building a salt kiln, brick by brick.

Adam is building his own salt kiln in northern Utah, bringing together a background as a builder and years of ceramics study at Utah State University. This page is the build as it happens: the reasons, the design, the setbacks, and the first firing when it comes.

Why a salt kiln

Let the kiln participate.

Most glazed pottery comes out of an electric kiln looking exactly as planned. A salt kiln is different. At cone 10, salt thrown into the firebox vaporizes and travels with the flame, settling on the clay as a glassy, orange-peel surface that no brush could paint. The kiln becomes part of the finish.

Instead of chasing seasonal glaze trends, the goal is surfaces formed by chemistry and fire: quieter, more durable, and meant to be lived with over time.

Tall salt-fired cup with flashing and orange-peel texture

Builder and potter

Two trades, one project.

Adam works as a builder as well as a potter, and a kiln is a building: footings, hardbrick, arch, chimney, burners, a door that has to seal at 2,300 degrees. Constructing it has strengthened his appreciation for the tools that shape the final work, and every choice about flame path and shelf layout ends up in the pots.

Adam in his Logan studio

Build log

Where it stands.

Dates and photos get added here as each stage finishes. The journal has the long version of every step.

  • Done
    Years of saving and three salt firingsAdam learned salt firing in Utah State University’s kiln, then saved for years before buying a brick. Why a salt kiln →
  • Done
    The designGas fired, sized for steady production without half loads, built from materials that stand up to salt vapor. Early decisions →
  • Done
    The concrete padPoured in the backyard in summer 2026, set for wind, access, clearance and chimney height. The day the kiln became real →
  • Up next
    Floor and wallsHardbrick, insulation and the first course on the slab.
  • Up next
    The arch, chimney, burners and doorForm building, keying the arch, draft, gas and a seal that holds at cone 10.
  • When it’s ready
    First salt firingTest tiles, cups and a few bowls. The results go in the firing diary below and the shop hears first.

No rush on purpose. Why the kiln is taking its time →

Firing diary

Every firing, on the record.

What went in, how it was fired, what came out. One firing so far, in a gas kiln; the salt firings will be added here as they happen.

DateFiringConeWhat went inWhat came out
Aug 2026Gas, reduction10Wild clay test cylinders, no handles or thin rimsSurvived with slight warping and a toasted surface. Read the post →

Follow the build

Videos, tests and firings as they happen

The build is documented on YouTube, with shorter updates on Instagram and TikTok. Glaze tests, wild clay experiments and every firing.

Kiln openings

Hear first when a firing comes out

When the first salt firing comes out, the pieces go in the shop and the story goes on the blog. Until then, the shop is stocked with cone 10 stoneware from the current kiln.

Bring a piece home

Made to be used every day.

Shop what's available now, or commission something made for your table.

Bring a piece home

Made to be used every day.

Shop what's available now, or commission something made for your table.